Today I am sharing my thoughts on THE LONELINESS OF HIRA BARUA, a collection of Assamese short stories that ooze the essence of my beautiful motherland Assam.
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(This blog posts also contain a review copy that was sent to me by publishers. However, all opinions expressed are my own and in no way influenced by external parties)
Hira Barua, an ageing widow living in a conflict-ridden region of Assam with her beloved Tibetan spaniel fears she is beginning to resemble a lonely Englishwoman from her past. A vicious sexual assault by the invading military drives a group of women into a shelter home. On a fateful night, a group of prostitutes make an extraordinary sacrifice for the safety of their companions.
In these, and thirteen other piercing, intimate portraits, women navigate family, violence, trauma, ambition and domesticity with caution, grace and a quiet resilience.
Originally published as Mariam Austin othoba Hira Barua, this remarkable collection by one of Assam’s finest living writers won the Sahitya Akademi Award in 2014. In this brilliant English translation, Arupa Patangia Kalita’s powerful voice is brought to fresh and vivid life. Written in a variety of styles, from gritty social realism, folklore to magical realism, The Loneliness of Hira Barua is a modern classic of Indian literature.
Check out my reading vlog for this book here!
The Loneliness of Hira Barua is a collection of 15 short stories by Arupa Patangia Kalita. It was translated from the original Assamese মৰিয়ম আষ্টিন অথবা হীৰা বৰুৱা, by Ranjita Biswas. It is a collection of tales set in the beautiful land of Assam and a wonderfully visual one at that. Thank you to PanMacmillan India for sending me a copy of this amazing collection!
The Women in these Stories
At the core, these stories all revolve around women in various stages of life – young Mainao, the outspoken and righteous Surabhi Barua, married Nibha-Bou, to Kuntibala who showers love blindly upon her son, Brinda khuri, and ending with the eponymous Hira Barua. Along with the diversity in their ages, these women face various problems and Biswas’s translation sets a beautiful motion for the storytelling. The reader is ensnared by this lyrical and poetic writing, which is often interspersed with these various serious and sometimes tragic issues.
These women all face oppression in different ways – from archaic rules of society, and the patriarchal bonds that clip their wings, to blind emotions that bind them and make them blind to some perhaps not so right things. These stories deal with the militancy that once ravaged the state and at the same time, the loneliness that grips so many people especially in the late stages of their life.
It is also because of these serious topics that reading this collection was an intense affair for me. I would put it down and take a break for a while because my heart would break reading these stories. But then I would always go back to it because such is the allure of this beautiful collection of store. There is an astounding depiction of my dear motherland. Assam and her beauty are unfurled as if Bohagi has let open her voluminous hair leaving behind a beautiful aroma.
Overall, I loved this book and am surely going back to rereading it soon! 5/5 stars! Check out my Youtube reading vlog for this book here.
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